Works

  • Demo Reel

    Andrea Colosio – Demo Reel
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    My role on it

    This is my Sound Design Demo Reel.

  • Mind The Gap

    Mind The Gap - Short Film
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    My role on it

    Mind The Gap is the second short film done in collaboration with the Over Film Production, where I had the chance to create and design the audio for the Film and the promotional trailer.

    For this project I recorded the sounds on set, created all the sounds from the recordings, edited the sounds in post production and also did the final surround mix. I also edited and mixed the music for the film and the trailer.

    • Boom Operator
    • Location Sound Recordist and Mixer
    • Sound Editor and Recordist
    • Foley Artist and Recordist
    • Dialog Editor
    • Sound Designer
    • Re-Recording Mixer

  • Not What I Am

    Not What I Am - Short Film
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    My role on it

    Not What I Am is a short film done with the Director Roberto Gianocca, where I had the chance to create and design the audio for the Short Film.

    For this project I recorded the sounds on set, created all the sounds from the recordings, edited the sounds in post production and also did the final surround mix. I also edited and mixed the music for the film and the trailer.

    • Boom Operator
    • Location Sound Recordist and Mixer
    • Sound Editor and Recordist
    • Foley Artist and Recordist
    • Dialog Editor
    • Sound Designer
    • Re-Recording Mixer

  • Seedling

    Seedling - Short Film
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    My role on it

    Seedling is a short film done in collaboration with the new born Over Film Production, where I had the chance to create and design the audio for the Film and the promotional trailer.

    For this project I recorded the sounds on set, created all the sounds from the recordings, edited the sounds in post production and also did the final surround mix. I also edited and mixed the music for the film and the trailer.

    • Boom Operator
    • Location Sound Recordist and Mixer
    • Sound Editor and Recordist
    • Foley Artist and Recordist
    • Dialog Editor
    • Sound Designer
    • Re-Recording Mixer

  • MET Parachute MCR

    MET Parachute MCR - Web Commercial
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    My role on it

    MET Parachute MCR is a project that I have done in collaboration with the company MET where I had the chance to create and design the audio for the Parachute MCR promotional video.

    For this project I was asked to create all the sounds from the recordings, the sound edits in post production and also the final mix. I didn’t compose the music but I edited it in the promotional video.

    • Sound Editor and Recordist
    • Foley Artist and Recordist
    • Dialog Editor
    • Sound Designer
    • Re-Recording Mixer

  • Looking Around

    Looking Around – Stop-Motion Short
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    My role on it

    Looking around is a Stop-Motion Short created by Sara Fiechter at the HEAD of Geneva. The short represents the journey throughout her mind in search of inspiration from her interests.

    For this project I was responsible for the creation of all the sounds, from the recordings until the final mix. The short is heavy on Foley and the Sound Design is really a big part in making the piece sound surreal.

    • Sound Editor and Recordist
    • Foley Artist and Recordist
    • Sound Design
    • Stereo Mix

  • Horizon Zero Dawn

    Horizon Zero Dawn – VFS Final Sound Design Project
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    My role on it

    This is my final Sound Design project that I have done as result of my year at the Vancouver Film School. All the rights are reserved and belong to Sony Interactive Entertainment Europe and Guerrilla Games.

    I was responsible for all the sounds replacement from the recordings, to the editing and the final mix as well. For the Sound Design I decided to use Kyma in creating part of the creatures sounds. It was as well my first time doing ADR with a child, it wasn’t easy but I learned so much from it. I also edited the music that I choose and was provided by 5Alarm. This one here is a Stereo Fold Down of the original 5.1 Surround mix that I have done in a Dolby certified theater.

    • Sound Editor and Recordist
    • Foley Artist and Recordist
    • ADR Recordist
    • Music Editor
    • Sound Design using also Kyma
    • 5.1 Mix + Stereo Fold Down

  • Hostile Inn

    Hostile Inn - Episode 2
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    My role on it

    Hostile Inn is part of an episodic series created by some students at the Vancouver Film School. It is a psychological thriller about a mysterious murder that happens in the Hostile Inn right as Eliza, the new owner, arrives back in to town. This unfortunate occurrence puts Eliza in a dangerous position and back into the eyes of the storm.

    For this collaboration with the film students I edited the music, recorded the ADR, performed and recorded the Foley session, as well as mixed the dialogue and the music. This film was mixed in 5.1 surround format in a Dolby certified theater, with an ICON Mixer D-Command using multiple systems connected via Satellite.

    • Music Editor
    • ADR Recordist
    • Foley Artist and Recordist
    • Music and Dialogue Re-Recording Mixer

  • Shift 2: Unleashed

    Shift 2: Unleashed – Waves Test Package
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    My role on it

    This was a test project with the goal of creating a piece of sound design with a limited amount of audio assets and 24 hours of time at disposal. The video is a courtesy from EA and it was originally used in a Sound Design competition organized by Waves. All the rights for the video are reserved and belongs to Electronic Arts.

    When I first approached this task I decided not to use any normal engine sounds for the cars, instead I heavily experimented with the Kyma software in creating the core of my Sound Design. Along with that I added some SFX to give some more details but I wanted to keep the whole piece sounding more unrealistic and different. All of this trying to keep the trailer interesting to watch.

    • SFX Editor
    • Sound Design
    • Stereo Mix

  • Teto – Breakdown

    Teto – Breakdown
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    My role on it

    This is a breakdown of the Wwise project that I created in order to implement the sounds in the game. Teto is the result of a collaboration that I did between the Sound Design and the Game Design campus of the Vancouver Film School.

    In this video I show how the Wwise project is structured and basically how the audio system behave within the game. We created all the sounds based on the two main states of the game (Light and Dark), based on that everything changes, from the music to the background sounds. We played a lot with the ambiences, creating them in surround in order to involve and immerse as much as possible the player in the world.

  • Dynamic Dialogue System

    Dynamic Dialogue System – Wwise Project
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    My role on it

    In this video I present a project that I did as an example of a basic dynamic dialogue structure for a racing game.

    I started recording the actor’s performance and subsequently I edited and processed all the recorded clips. Once completed, I implemented them in Wwise and created the dialogue structure to fit the required functionality. I divided the recorded clips in two main different locations and I processed the sounds differently according to the situations.

    • VO Recording
    • VO Editing
    • Wwise Implementation

  • Teto: Outrun the Dark

    Teto: Outrun the Dark – Gameplay
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    My role on it

    Teto: Outrun the dark, is a 3D third-person puzzle platformer for PC where you play as a light spirit trying to revive a dead world back to its former state. This game is developed by some students of the Game Design program at the Vancouver Film School.

    My main role for this collaboration was to create the Sound Design, recording the Foley and the voices. I have been also part of the implementation between Wwise and the Unity Engine. I was responsible to lead a team of three other Sound Designers and I was the point of contact with the Programmers and the Game Designers. Creating the sounds for this game was fun and interesting, especially because it was something that I had never done before and it taught me a lot regarding how to better work with a team of developers.

    • Sound Design
    • Foley Artist and Recordist
    • ADR Recordist
    • Sound Editor
    • Wwise Implementation

  • Car Chase

    Car Chase – Car Engines SFX Edit
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    My role on it

    This is an editing project where I had to create all the SFX related to the car chase, the car engines and other sounds in order to make the chase as engaging as possible. The video is provided by our instructor at VFS.

    For this project I edited all the sounds for the two main cars present in the chase and the related SFX, considering all the details such engine sounds, tire skids, tire squeals and various metallic sounds for the body of the car. This video is the finished SFX edit session and has not been mixed.

    • SFX Editor

  • City Soundscape

    City Soundscape – Wwise project
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    My role on it

    This video shows a project that I did on Wwise in which I created a soundscape of a city that changes over time.

    For this project I recorded the assets needed for creating a soundscape of a city, such as cars-bys, different traffic recordings, rain and thunder. Afterwards I implemented those sounds in Wwise and structured them accordingly to the appropriate behaviours using RTPC.

    • Sound Recordist
    • Wwise Implementation

  • Shutter

    Shutter - Episode 2 Blinded
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    My role on it

    Shutter is part of an episodic series created by some students at the Vancouver Film School. It is a Thriller-Mystery where Caroline, the protagonist, finds herself involved in a religious cult as she meets Lester, who uses aura photography to get rid of the impure, as her husband gone missing.

    For this collaboration with the film students I recorded the sounds on set, created the sound design, as well as edited the sounds in post production.

    • Boom Operator
    • Location Sound Recordist and Mixer
    • Sound Editor
    • Sound Designer

  • TE Fire

    TE Fire – Sound Design Edit
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    My role on it

    This video is a short sequence where I had to do the sound design for it. The video was provided me by VFS as an exercise, also it is the finished edit session and has not been mixed.

    This scene left me with a lot of possibilities in creating the sound design for it, I decided to take a more dreamy approach playing a lot with reversing sounds, delays and reverbs.

    • Sound Designer

  • Random Music Machine

    Random Music Machine – Max MSP Patch
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    My role on it

    This Max MSP Patch is an interactive virtual music machine. It allows the user to change all the parameters and create their own saveable presets. It also includes a button to randomize all the instruments and parameters.

    I created this patch with the intent of creating a random music generator that contains various musicians with different type of randomisations. Furthermore I added the possibility to change different parameters like pitch, scale, volume, tempo, type of instrument, …

  • World of Warcraft

    World of Warcraft – Music Edit
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    My role on it

    This project is an audio replacement of the original trailer but only with music. The whole piece is created to demonstrate how important the music in a trailer can be and how a different music choice can change the emotional response to it. The following music is provided by 5Alarm.

    For this video I choose between different music samples that I later edited together, in order to achieve the desired result and set an emotional tone to the trailer.

    • Music Supervisor and Editor